Shhhhh
Open Call: Wet Sounds

Scape Readings
About



Sedimente 
Official 
Grounding 
Group
.
A place for 
enchantment
and critcal 
perspectives

Shhhhh Sound Series

Shhhhh invites practioners to experiment with the sonic realms. The series is meant as a contributions to plural worlds of sonic imagination, realities, perspectives, narrations - the spatial qualities and meanings it can create - to  e x p a n d  our spectrum of listening through the different layers each person or group suggests. Shhhhh is an open format and the contributions will be published in unregular periods.

https://sedimente.bandcamp.com/album/shhhhh





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Shhhhh: only only
by Varvara Spilt
Feb 2 2026




E𝒏𝒕𝒆𝒓𝒊𝒏𝒈 𝒘𝒊𝒕𝒉 𝒂𝒏 𝒂𝒍𝒎𝒐𝒔𝒕 𝒉𝒖𝒎𝒂𝒏 𝒈𝒆𝒔𝒕𝒖𝒓𝒆, 𝒕𝒉𝒊𝒔 𝒑𝒊𝒆𝒄𝒆 𝒔𝒐𝒐𝒏 𝒕𝒉𝒓𝒐𝒘𝒔 𝒖𝒔 𝒊𝒏𝒕𝒐 𝒇𝒍𝒂𝒕𝒕𝒆𝒓𝒊𝒏𝒈 𝒄𝒖𝒓𝒗𝒆𝒔 - 𝒊𝒕 𝒊𝒔 𝒕𝒉𝒐𝒔𝒆 𝒄𝒖𝒓𝒗𝒆𝒔 𝒕𝒉𝒂𝒕 𝒘𝒆 𝒎𝒖𝒔𝒕 𝒓𝒊𝒅𝒆 𝒇𝒂𝒔𝒕, 𝒚𝒆𝒕 𝒍𝒊𝒔𝒕𝒆𝒏 𝒕𝒐 𝒔𝒍𝒐𝒘𝒍𝒚. 𝑽𝒂𝒓𝒗𝒂𝒓𝒂’𝒔 𝒑𝒊𝒆𝒄𝒆 𝒂𝒔𝒌𝒔 𝒖𝒔 𝒕𝒐 𝒄𝒐𝒏𝒔𝒊𝒅𝒆𝒓 𝒉𝒐𝒘 𝒅𝒆𝒆𝒑 𝒘𝒆 𝒘𝒂𝒏𝒕 𝒕𝒐 𝒔𝒄𝒓𝒂𝒕𝒄𝒉 𝒕𝒉𝒆 𝒔𝒖𝒓𝒇𝒂𝒄𝒆 𝒐𝒇 𝒐𝒖𝒓 𝒆𝒗𝒆𝒓𝒚𝒅𝒂𝒚 𝒈𝒓𝒐𝒖𝒏𝒅𝒆𝒅 𝒑𝒐𝒔𝒔𝒊𝒃𝒊𝒍𝒊𝒕𝒊𝒆𝒔 - 𝒘𝒆 𝒘𝒊𝒍𝒍 𝒔𝒐𝒐𝒏 𝒌𝒏𝒐𝒘 𝒎𝒐𝒓𝒆 𝒂𝒃𝒐𝒖𝒕 𝒊𝒕.


„Scratching against the inside of my boots / precious timing / like a love song to the blisters on my toes / I still find heels the most beautiful thing / they go цок цок цок / a kiss should heal.“


Varvara Spilt is an artist born in Kyiv, working across video, performance and sound. She likes songs, whispers, sighs, stretched sounds and phone recordings. She also co-hosts the Archeologija radio show and organizes independent film screenings in Vilnius, where she's currently based. 



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Shhhhh: h/ahhhh by Sabrina Marzell
Oct 16 2025






𝒉/𝒂-𝒉𝒉𝒉𝒉 𝒔𝒍𝒐𝒘𝒍𝒚 𝒈𝒖𝒊𝒅𝒆𝒔 𝒖𝒔 𝒊𝒏𝒕𝒐 𝒂𝒏 𝒔𝒑𝒂𝒕𝒊𝒂𝒍 𝒂𝒕𝒎𝒐𝒔𝒑𝒉𝒆𝒓𝒆 𝒊𝒏 𝒘𝒉𝒊𝒄𝒉 𝒕𝒉𝒆 𝒘𝒂𝒕𝒆𝒓𝒔 𝒂𝒑𝒑𝒆𝒂𝒓 𝒇𝒍𝒖𝒊𝒅-𝒂𝒃𝒓𝒂𝒔𝒊𝒗𝒆. 𝑴𝒆𝒕𝒂𝒍𝒍𝒊𝒄 𝒕𝒆𝒙𝒕𝒖𝒓𝒆𝒔 𝒎𝒆𝒓𝒈𝒆 𝒕𝒉𝒆 𝒃𝒓𝒆𝒂𝒕𝒉; 𝒕𝒉𝒆 𝒔𝒐𝒏𝒊𝒄 𝒔𝒄𝒆𝒏𝒆𝒓𝒊𝒆𝒔 𝒊𝒏𝒇𝒐𝒓𝒎 𝒖𝒔 𝒕𝒉𝒓𝒐𝒖𝒈𝒉 𝒑𝒍𝒂𝒚𝒇𝒖𝒍 𝒚𝒆𝒕 𝒑𝒓𝒆𝒄𝒊𝒔𝒆 𝒔𝒆𝒏𝒔𝒆 𝒐𝒇 𝒆𝒙𝒑𝒆𝒓𝒊𝒎𝒆𝒏𝒕𝒂𝒕𝒊𝒐𝒏.

“Investigation of fricative sounds - In the piece, a voiceless glottal fricative merges with an unrounded open back vowel - referred to in linguistic literature as the dark a - within an environment where water drips and flows.”

Sabrina Marzell is a documentary filmmaker and sound artist based in Munich. Within her time-based practices she is interested in places of movement and transition - both within artistic processes and in relation to situational or contextual dynamics.

Bandcamp: https://sedimente.bandcamp.com/track/h-a-hhhh

All rights belong to the author (c) October 25